This introspective six-collage series by Joel Ford uses a combination of black and white and muted colour palettes that emphasise form and shape but also act as ‘lines’ of connection between separate images. Ford’s process is largely intuitive as he tears and cuts found imagery from vintage magazines and archival print, embracing imperfection. Found phrases and partial sentences hover somewhere between statement and suggestion and are used sparingly, not to explain, but to shift context and encourage individual interpretation.