Throughout Distilled Chroma II: Diffused Motion and Filtered Pigments alongside Site-Specific I, Amelie Steer presents an investigation of the influence of Visual communication upon Fine Art practice. Working across the shapes and forms of the exhibition space, the pieces equally use colour gradient through various materials to present one in-depth study of isolated and analysed hues.

This academic inquiry investigates the intersection of Graphic Design and Fine Art, focusing on how 2D concepts can be translated into 3D forms. By integrating these material translations into the physical architecture of a gallery, the work shines a light on overlooked spaces and challenges the boundaries between the two disciplines. Through this presentation, Steer explores the essential principles of layout and structure upon a gallery-based environment.

Her focus of curatorial methods of installation moves from overhead suspension to floor-level interactivity. This intentional shift, responds to location and creates an immersive setting where the work becomes a part of its place of install and allows viewers to feel invited to walk on and interact with the work, while spending time in the space, which encourages conversation between the work and its audience. Ultimately, creating a cohesive, communicative atmosphere in a prominent visual way; immersing the viewer through design and install.